The Origins of “Technological Visuals”

Courses of Research on the Design of Opening Credits in the First Decade of Rai Tv Broadcasts

  • Chiara Mari Fondazione Giorgio Cini di Venezia
Keywords: 1950s, Motion Graphics, Rai, Titles, Television

Abstract

Since the earliest days of Italian public television, opening titles have been a fertile ground for experimentation with images in motion, a place where design ideas and technology found a special meeting ground. Based on research in the archives of Rai public television and analysis of a representative selection of opening credits from the first ten years of broadcasts, this article offers elements for a reconstruction of the early history of motion graphics in Italy. Articles published in the house organ of Rai television and in specialized magazines, as well as observations by designers, enable us to contextualize this early work within a wider critical debate. Several points of contact can thus be established between different strands of experimental research which, drawing upon the new world of images opened up by electronics, explored the possibilities of “programming” images in motion.

Author Biography

Chiara Mari, Fondazione Giorgio Cini di Venezia

Chiara Mari, PhD in History of Contemporary Art, since 2009 is engaged in research and teaching at the Catholic University of Milan and Brescia. Thanks to a postdoctoral fellowship, she is currently working on a research project at the Fondazione Giorgio Cini in Venice. Her contributions to historical-critical studies investigate aspects of Italian art of the 19th and 20th centuries. She has focused in particular on Milanese caricatures of the second half of the nineteenth century, on the critical debates on monumental sculpture (1920s-1940s), on artistic research between the Sixties and the Seventies and on the dialogue between the visual arts and television.

Published
2016-10-31