Design in the Food Industry: Culture, Products, Communication

  • Rosa Chiesa Università Iuav di Venezia
  • Ali Filippini Politecnico di Torino
  • Gianluca Grigatti Università degli Studi di Genova
Keywords: Food Acts, Material Culture, Food Design, Food Industry

Abstract

How to deal with the delicate relationship between design and food? The title of the special issue of the magazine does not reserve too many surprises with respect to the contents. We are living in a moment in which the term food design, a category with uncertain boundaries and on the definition of which we are still discussing, together with the more general theme of food is absolutely widespread, and sometimes even abused. This general and specialist interest in food/project and the food supply chain emerges from the thrust of growing mass attention around food and at the same time coexists with the proliferation of a series of publications and exhibitions on the subject, nourished today more than never from the direct relationship with the theme of Expo 2015. Going a little against the tide, we decided to adopt the terms "food" and "nutrition" in place of the more high-sounding food design, often characterized by a certain indefiniteness, at least as regards the heterogeneity of the sectors and professionals involved in this sector. We have thus aligned ourselves with the choice of some designers dedicated to the study of food culture, preparation processes and forms of food intake, who today prefer to define themselves as eating designers.

Author Biographies

Rosa Chiesa, Università Iuav di Venezia

Architect, a research fellow at the Iuav Projects Archive in Venice, in 2012 she obtained a PhD in Design Sciences at the Iuav in Venice, with a thesis on Murano glass. Since 1999 she has been involved in publishing and iconographic research, collaborating with various publishing houses, for print and web publications, including RCS, Electa Mondadori, Condé Nast, Hachette, design-italia.it. She has collaborated with Vanni Pasca Raymondi, Fiorella Bulegato and Ilaria Danieli at various universities. In 2011 she took part in the research group for the exhibition Copyright Italia. Brevetti, Marchi, Prodotti 1948-1970, Rome, and was co-curator of the exhibition Vetro Murrino di Laguna, Altino-Murano 2012. She participated in national and international conferences. Recent publications include Gio Ponti (Hachette, 2012) and Delineodesign, Words & Works (Faggionato, 2012).

Ali Filippini, Politecnico di Torino

Graduated in Industrial Design from the Politecnico di Milano, earned his PhD in Design Sciences in 2012 from the Università Iuav di Venezia with a thesis on the history of exhibitions from a product segment and cultural perspective. In 2015, he was a research fellow there in the field of decorative arts in Italy during the fifties, working on the archives of Paolo De Poli. He has been lecturing on the History and Criticism of Design at the Università degli Studi della Repubblica di San Marino and on the History of Visual Communication and Design at the Politecnico di Torino. He has been lecturing on Design History for the Master of Industrial Design programme at the Scuola Politecnica di Milano since 2008. Since 2000, he has written for design magazines («Diid – Disegno Industriale Industrial Design», «Auto&Design», «Mestieri d’Arte e Design») and editorial projects.

Gianluca Grigatti, Università degli Studi di Genova

With a degree cum laude in Conservation of Cultural Heritage in 2002, and a PhD in Design for the enhancement of the Territory-System in 2013 at the University of Genoa, he has directed his scientific interests towards the definition of fundraising & design-oriented strategies for the enhancement of Cultural Heritage.
From 2007 to 2013 he taught History of Design at the D.S.A. - Department of Sciences for Architecture of the University of Genoa. In 2011 he obtained the CFRM Certificate of Executive Manager in Fund Raising Management at AICCON - Study Center and Higher Education School of the Alma Mater Studiorum - University of Bologna. He also associates publishing activities with research and teaching: freelance of the on-line magazine «Artegiovane.it» since 2003, editor of the magazine «DIID - Industrial Design Industrial Design» since 2011 of which, since 2013, he is a member of the Research Study Center.

Published
2015-07-31