Italian Author Photography in the Field of Design in the 1970s and 1980s

From the Masters to the New Generations

Keywords: Design Photographers, Design Photography, Authorial Photography, Artisan Photographer, Self-Taught Photographer, 1970s and 1980s

Abstract

This article aims to outline the panorama that emerged in the field of design photography at the end of the 1970s and in the 1980s.
It is the result of research based on the direct contributions by a group of photographers authors, who began working at that time and are still active today, collected through a series of interviews conducted by the authors of the article. Such personal experiences and points of view have thus made it possible to understand the scenario and the dynamics that have distinguished this specific area of design communication, filling the almost total absence of literature on the subject. In particular, this essay highlights the link between the generation of those who are considered among the pioneers and masters of design photography and an accredited number of authors, recognised for leaving their mark on the following two generations, at times showing continuity with the language of their predecessors (as in a sort of "passing the baton") but,  at times, introducing decisive changes that have opened up new scenarios for the image of design, in line with the advent of Postmodernism.

Author Biographies

Paola Proverbio, Università Cattolica del Sacro Cuore, Milano

Graduated in Architecture from the Politecnico di Milano and received a PhD in Design Sciences from the Università Iuav in Venice. She teaches Theory and History of Design and Contemporary Architecture at Università Cattolica del Sacro Cuore and at the Istituto Europeo di Design in Milan. In particular, she deals with the evolution of the design of Italian lighting fixtures and contemporary decorative arts. Since 2010 she has also been involved in the relationship between product design and photography and has been a scientific consultant for the creation of digital corporate archives (Arteluce, Danese, Flos) and consultant for the iconographic archive of «Domus» magazine. She collaborated with the CASVA (Center for Advanced Studies on Visual Arts of the Municipality of Milan) for the study and cataloguing of design and architecture archives. Since 2019 she is one of the editors of the «AIS/Design. Storia e Ricerche» journal.

Noemi Ceriani, Fondazione Achille Castiglioni, Milano

Graduated in Art History from the Università Cattolica del Sacro Cuore in Milan with a thesis on Design photography in Milan from the 1950s to today. She collaborated as a tutor at Poli.design during workshops organized in partnership with foreign companies. Since 2018 she has been working at the Achille Castiglioni Foundation as an archivist and collaborates in the organization of guided tours, exhibitions and conferences.

Published
2020-12-25