Disquiet in the Graphic Design Archive
Abstract
This paper is part of the base-camp-preparation for a research project in which I seek better understanding of the role of design history in negotiating the relationship between graphic design as heritage and graphic design as contemporary professional practice. It leans on perspectives and dispositions derived from decolonial aesthesis and intersectional feminism being used to question and disrupt representational biases and imbalances in cultural heritage preservation generally, and explores how such theories and tactics might also support critical intervention in the graphic design archive, specifically.
Copyright (c) 2022 Alice Twemlow
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Creative Commons NonCommercial-NoDerivates 4.0 international License (CC BY-NC-ND 4.0).