Max Huber: Synaesthesia between Graphic Design and Painting
Abstract
Since the period of training in Zurich thirties, concrete pictorial research and “applied” research to advertising, publishing and typography are closely linked in the method of work of Max Huber, in line with the concept of unity of the arts derived from the Bauhaus. These overshoots give to its graphics an elegance and a communicative strength always far from trite or easy solutions, based on an idea of design culture to the service of man and society.
Copyright (c) 2013 Chiara Mari
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Creative Commons NonCommercial-NoDerivates 4.0 international License (CC BY-NC-ND 4.0).