The Ethical Side of Digital Design

Access and Accessibility, between Foundational Utopia and Contemporaneity

Keywords: Visual Communication Design, History of Digital Design, Universal Design / Design for All, Ethics and Design, Social Design

Abstract

The globality and pervasiveness of information technologies, the human-centered approach, the co-design research methods, the attention to usability and accessibility make the digital field a laboratory of experimentation that, since the 90s, has explored the possibilities and impact of design in society transformation. From the founding myth of the Internet – the first weapon of mass construction – to cyber-pessimism, this world has always been crossed by a universalistic and participatory vocation. The Web Accessibility Initiative, the work of the Web Standard Project and national regulations have built the culture, design methods and evaluation tools to make digital accessible. The design of interfaces and the underlying graphic culture have been the scope of research and verification of the inclusive and public utility mission of the design culture in the technological field. The paper proposes a cultural and social path according to a historical-critical perspective between theory, ethics and profession.

Author Biography

Letizia Bollini, Free University of Bozen-Bolzano

Architect, PhD in Industrial Design and Multimedia Communication (Milano Polytechnic).  Associate professor at the Faculty of Design and Art, Free University of Bozen-Bolzano. Previously a researcher at the Department of Psychology of the University of the Milano-Bicocca, lecturer/contract professor at the Milano Polytechnic, the University of Bologna and the Milan State University, faculty member of the HEC in User Experience Design organised by the Milano Polytechnic. Research and design topics since 1995: interaction, user experience and multimodal interface design, visual and socio-spatial representation, with a strong focus on technologies evolution, human-centred approach and accessibility. Member of the AIAP (Italian Association for Visual Design) board, Italian representative at ICOGRADA (1999-09). Since 2017 coordinator of the Theoretical, historical, critical research and publishing projects commission of the ADI (Italian Association of Industrial Design) Design Index and previously the Communication/Visual design commission (2011-16).

Published
2020-06-30