The second number has arrived. It is once again a miscellaneous number, rich in ideas, themes and authors different by generation, approaches and points of view. A wealth that the magazine promotes, without wanting to impose a monochromatic vision of the history of design, a wealth that is required – as a common and essential element – to be the result of scientifically based original research, a reflection work not self-referential, but open and dialectical.
In the pre-typographic era, the schedule was the parchment, tablet or page from which the first inscription was scraped away in order to trace another subsequent one. On closer inspection, there is nothing more contemporary than the idea of ​​palimpsest in the ways of digital writing.